主演：约翰·阿什顿,爱丽珊·麦卡蒂,Alexander,Randazzo,杰米·伯纳黛特,Mark,Todd,Bruner,Korra,Dodson-Sands,Dion,Earl,Kevin,Flood,Leah,Grosjean,罗杰·伊文斯,杰西·詹姆斯,穆罕默德·卡里姆,帕特里克·马龙,Bridget,Martinez,Vincent,E.,McDaniel,Alana,Monroe,斯蒂夫·蒙罗埃,Alaina,Beth,Reel,Seth,Rodriguez,Aaron,Rogers
导演：Nino,Aldi
简介：根据一个真实的美国故事改编，《孤独的士兵》讲述了杰克逊·哈洛的生活，从年轻的梦想家到被困扰的退伍军人，在这部对PTS(D)的悲惨描绘中，它不仅对士兵，而且对他们所爱的人产生了影响。
主演：韩乐瑶,李若天,李泽宇,谭雅月,彭剑雄
导演：邬佩宜
简介：从小在福利院相识的劳冬冬（韩乐瑶饰）和姜逸（李若天饰），因命运弄人而失联。多年后，劳冬冬意外在职场遇到已是CEO的姜逸，却遭其冷遇。一场酒后的诅咒竟令姜逸的公司破产，两人再次相遇，姜逸假扮破产寄居劳冬冬家。沈妍（谭雅月饰）的归来，带来了新的风波。沈妍误会劳冬冬与姜逸的关系，争执中，宋以明（李泽宇饰）的介入，使宋以明和沈妍两人渐生情愫。姜逸的真挚行动最终融化了劳冬冬的心。
主演：Alexandre,Arquillière,Jackie,Monnier,恩里克·里贝罗,Diana,Hart,雅克·贝克
导演：让·雷诺阿,Jean,Renoir
简介：Claudie, a young French woman, inherits her uncle's property in Algeria, much to the disappointment of her scheming cousins Diane and Manuel. On the ferry she meets and falls for Pierre, an idle young man who has squandered his inheritance and is on his way to beg from Christian, his rich but rough-and-ready uncle, who owns a neighbouring farm to Claudie's. Made to work on the farm by Christian as a loan condition, Pierre is soon a changed man, and proposes to Claudie. But when his Arab friend Zoubir invites the Europeans on a hunting party, Diane and Manuel see their chance to move against their cousin.
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：Malin,Levanon,韦勒·维坦恩,亨里克·多尔辛
导演：Beata,Gårdeler
简介：Jennifer’s claim of having been raped by a classmate lies heavily on this idyllic village in the Swedish provinces. In chilling images, the director portrays how this fourteen-year-old and her family are brutally shunned by the close-knit community.
主演：高桥一生,苍井优,田中要次,忍成修吾,市原隼人,胜地凉,杉本哲太,市川实和子,郭智博,细山田隆人,笠原秀幸,伊藤步,稻森泉,樋口真嗣,大泽隆夫,伴杏里,伊藤友树,松田一沙,泽木哲,马场乔子,冈村麻纯
导演：岩井俊二
简介：莲见雄一（市原隼人 饰）与母亲、继父、弟弟生活在一个幽静的小城里。他跟同班同学星野修介（忍成修吾 饰）同在剑道部，两人成为好朋友。星野本来是一个品学兼优的学生，却遭到了同学的嫉妒。当暑假时一群同学自冲...
主演：松田优作,藤谷美和子,小林薰,笠智众
导演：森田芳光
简介：20世纪初的日本，毕业于东京帝国大学的长井代助（松田优作暂无内容饰）家境优渥，全然不曾为金钱烦恼。他终日周游玩乐，过着悠闲自在的高等无业游民的生活。与之相对，和长井相交多年的好友平冈常次郎（小林薰暂无内容饰）生活拮据，妻子三千代（藤谷美和子暂无内容饰）孕期患上心脏病，未出生的孩子更不幸夭折。承受巨大压力的平冈破罐破摔，流连烟花场所。生计日益紧迫的同时，夫妻情分名存实亡。三千代是长井、平冈大学时代亡友菅沼（风间杜夫暂无内容饰）的妹妹，此去经年，始终未婚的长井依然对三千代持有深深的爱慕，他同情对方的境遇，但碍于道德的束缚只能将炽烈的情感深锁心底。深爱无缘，百千心结何处搁置……
主演：马晓晴,王全安,贾宏声,金铁峰,李连义,江珊,翟春华
导演：张暖忻
简介：改革开放初期，在北京一个寒冷的清晨。天还没亮，99路汽车售票员艾红（马晓晴 饰），与每天骑自行车接她一起上班的王朗（金铁峰 饰）来到车场。李队长（李连义 饰）给他们介绍新来的司机邹永强（王全安 饰）。王朗售票时积极热情，艾红却相反。她跟刚来不久的邹永强走的越来越近 。当 王朗又在老地方等艾红上班时，她没有出现。王朗到了车场发现她和邹永强有说有笑的，对他却很冷淡，王朗心里很不好受。永强的哥们是倒爷，出手大方阔绰。羡慕物质生活的艾红，她决心要辞职去挣大钱。艾红遇到了自称是新加坡留学生的陈明克（贾宏声 饰），他请她听歌，又送录音机、新衣服，还邀她去游玩，贪慕虚荣的艾红立马沦陷。不久她向永强提出了分手，永强因失恋的打击开车分神出了事故。艾红发现怀了孕，去找陈明克时却意外得知他是假留学生......
主演：邓光荣,唐菁,胡茵茵,朱铁和,苏杏璇
导演：邓光荣,萧荣
简介：他---李启发，一个从外地闯入天堂里的青年，可幻想却往往和现实脱节，他刚踏上这个花花世界，却因犯官非被关进牢里。这可以说是对他一生的影响，也是他第一阶段的开始。牢中的生涯重重的折磨，殴打囚犯，狠毒残酷令他刻骨铭心。尤因他曾戏弄一探长，使该探长暗中督促狱吏巴基，对他特别优待，这使李启发受到有如脱胎换骨般之痛苦。在狱中他结识了一班生死与共的兄弟，当他们一同踏出自由之地，便合力共同闯天下，打江山。猛然，他被一位名女人刘玉英所赏识，并遇昔友金世达，而在金之献计下，打通了官府门路，他凭着有资本、有靠山，再加上一点小聪明，李启发摇身一变成为大老板，经营舞厅、酒店及夜总会。十年后，他在商场上成为赫赫有名的人物，这是他一生中最灿烂辉煌的时期，昔日的小流氓，今天的大老板。怎知在李启发得意之时，却被金世达暗里谋害，在金之安排下使刘玉英对李启发有所猜忌，从而摆布使其亲信被...
主演：寻峰,何威,孙根发
导演：姚寿康
简介：明朝未年，崇祯帝下诏书与太子，命太监王承恩侄子王之明（寻峰 饰）护驾太子（何威 饰）赴南京，希冀旧臣遗老将来保太子登基。一路上前有堵截，后有追兵，王之明无奈假冒太子被抓，换得太子逃生。清皇太后（王惠 饰）放出假太子引蛇出洞，结果真假太子双双被清兵擒获。清皇太后见大明朝气数已尽，伺机挑动其宫廷群臣分争，以期内部土崩瓦解。王之明在疤面人（孙根发 饰）协助下冒险救出太子，此时崇祯已自缢身亡，马士英（顾也鲁 饰）等官宦趁机私立皇帝建立南明朝，并派人接驾，实为暗杀太子。马士英采用嫁祸于人毒计，诬太子谋反，将其下狱。疤面人找到已北返的王之明，劝其带兵东征......
主演：吴竞,王润生,王健为,沈敏,洪彬
导演：于杰
简介：东北某地，接采药老人报案，刑满释放的沈大山（叶志康 饰）被人杀害。刚刚从警的陈晨（洪彬 饰）、吴言（周建军 饰）等人在犯罪学教授（王润生 饰）的带领下侦破此案，原先有重大嫌疑的白桦（王建为 饰）因作案外逃被排除。经调查得知，沈妻李佳（吴竟 饰）在其夫服刑期间与李金玉（亓福胜 饰）关系暧昧，不排除其杀人可能，但沈被害时李金玉在山上干活，时间对不上。最后，侦察方向对准了李佳的情人杰夫（吉米提·阿地力 饰），因杰夫与李佳青梅竹马，后因文革期间遭人诬告被流放。流放期间李佳嫁人，回来后的杰夫四处声称今生非李佳不娶。杰夫归案后承认自己就是凶手，但教授感觉此事没这么简单，其中定有其他端倪，在新的证据面前，李佳只好如实供述......
主演：王祖贤,万梓良,郑裕玲,林俊贤,狄龙,刘美君,秦沛
导演：黄泰来
简介：叶颖文（郑裕玲 饰）是一位精明强干闻名业内的大律师，方伟（万梓良 饰）则是检察院的高级督查，两人虽然身为情侣，却因为事业上的对立而常常产生矛盾。摄影师田迪文（林俊贤 饰）被控告强奸罪，对罪行矢口否认的他找来了叶颖文替自己辩护。方伟十分不满叶颖文的善恶不分，但叶颖文坚信，在事件尚未查明之时，所有人都是无辜的。受害者是一位名叫凌祖儿（王祖贤 饰）的美丽模特，她的精神已经被案件逼迫到了崩溃的边缘。珊珊（刘美君 饰）是凌祖儿的妹妹，替姐姐打抱不平的珊珊设下诡计，想逼田迪文就范获取罪证，没想到聪明反被聪明误。案件的终审即将开始，在这个节骨眼上，叶颖文发现了足以推翻之前一切结论的重要证据。
主演：翟俊杰,郑在石,唐国强,王姬,穆宁,黄凯
导演：翟俊杰
简介：华江钢铁公司原是一家地处川滇交界的国家钢铁骨干企业，曾在1960年代创造了生产上的奇迹，但走到1979年已举步维艰，许多职工一心调走。危难之时，总经理田耕（翟俊杰）许诺不久的将来会让华钢旧貌换新颜。随后，他与党委书记肖沛成（黄凯）及做了他大半辈子坚实后盾的总经济师仲天文（郑在石）商议，向国务院递呈了华钢承包责任制方案，承诺会在头年上缴5千万利润的基础上，逐年向政府上缴递增7%的利润，获批准。田耕的改革大刀阔斧却略带专横：得知看重的已婚年轻人蓝雨濛（唐国强）与助理工程师冯璐（王姬）“沉溺”于儿女情长时，他不问青红将鸳鸯棒打后任蓝作副总经理；甚至希望音乐前程一片大好的女儿嫒媛将来也回华钢工作，但媛媛决定完成母亲江静雯（穆宁）未竟的事业——江静雯原本也可在音乐上有很大作为，却为了田耕将事业放弃。为了完成6年内将利润翻一番的目标，田耕再向国务院递交同国际...
主演：邹倚天,罗燕,朱旭
导演：陆小雅
简介：女高中生安然（邹倚天 饰）聪明爽朗，能理解深厚博大的情感却不甚了了生活中与利益相关的琐碎规则，她坚信“正义感和诚实”是做人的准则，在班主任语文老师韦婉的课上当众指出了后者教学错误，然而同学们并不支持她。米晓玲和刘东虎是和安然走得比较近的同学，他们也有自己的不如意，和安然“姐们”相称的米晓玲因为家庭原因不得不放弃学业改做售货员，同住一栋楼内的刘东虎父母情感不和，面临着家庭的解体……班长祝文娟为人明哲保身，却很受班级上下欢迎。安然的母亲为家庭放弃了自己的专业，长年的刻板生活让他满腹抱怨，督促安然为高一的三好学生名额努力，因为这事关女儿前途……父亲（朱旭 饰）思想开明，却因不愿用自己的画作迎合外界需求而不得志。家里最爱安然的姐姐安静（罗燕 饰）借职务便利发表了韦老师的蹩脚诗作来换取安然提名三好学生的资格……八十年代中期，一个普通家庭作为时代的剖面，透...
主演：元彪,王祖贤,午马,李美凤,吴启华,元华,薛芷伦,罗美薇,林威,叶璿
导演：午马
简介：拾儿（元彪 饰）是老道士（午马 饰）在河边一个木盆里发现的孤儿，起名拾儿将其抚养成人。拾儿自小跟着老道士捉鬼降妖，与俗世沾染不多，只得崔书生（吴启华 饰）这一个朋友。鬼王（李美凤 饰）向来作恶多端，常将无辜少女劫走，带入阴间。莫愁就是鬼王带走的一个年轻女孩，在出嫁路上被劫走，做了孤魂野鬼，受制于鬼王。崔书生偶遇可附于画中的莫愁，对其曼妙可爱的身姿恋恋不忘，鬼王却始终不肯放过莫愁。崔书生决心解救莫愁，反被鬼王所抓，拾儿一心想救出朋友，老道士却不通人情不愿帮忙。拾儿是否能够救出崔书生？好心收养孤儿的道士真是如此绝情？
主演：吕晓禾,徐松子,阮志强
导演：汤晓丹,鲍芝芳
简介：故事发生在东北地区的杨树屯。熊克俭（吕晓禾 饰）酒后失德，强奸了本村寡妇杨大翠（徐松子 饰），酒醒后自感无颜见江东父老，羞奔他乡。性格刚烈的杨大翠默默忍受着屈辱，带着一老一小艰难度日。在外长了见识的熊克俭怀着负罪的心情回村，办起粮食加工厂。一次意外相救杨大翠，使熊克俭多少从负罪感中稍有解脱。同村的万元户肖国才（阮志强 饰）有意接济大翠一家，他视经常帮助大翠的熊克俭为情敌，有一次二人竟为此大打出手。熊克俭在屯里扶危助困，深得村民赏识，村政改选时被推选为村长，为给百姓谋利。他决心开发月牙泡，苦于资金不足，他毅然变卖了产业......
主演：苗侨伟,莫少聪,张永正,何家驹,唐丽球,金素梅,况明洁
导演：潘文杰
简介：故事讲述的是，阿森三年前为救黑帮首领被仇人所害被捕入狱出狱后森单人匹马复仇后潜逃到台湾居住投靠昔日曾受自己恩惠李驹森决定隐性埋名洗手不干但李驹好勇斗狠屡生事端后找来新人乌鸦顶罪乌鸦终日无所事事常梦想成为黑帮首领因替驹顶罪而被赏识乌鸦声名日大驹渐起嫉妒之心安排到香港暗杀要人驹。莫少聪……饰演 乌鸦/杨天顺（在台北卖槟榔为生，一心想投身黑帮上位，却连累女友和姐姐被杀）苗侨伟……饰演 李森（出狱后杀死仇家逃亡台湾，却被昔日兄弟出卖，心灰意冷下决心退出黑帮）何家驹……饰演 李驹（黑帮大佬，为人心狠手辣，兄弟一样出卖，后被乌鸦杀死）唐丽球……饰演 吴天真（乌鸦英雄救美后成为他女友，后遭李驹强暴后自杀）金素梅……饰演 杨丽玲（乌鸦姐姐，与隐居在台南的李森发生感情，后到台看望乌鸦时被杀）张永正……饰演 小山东（乌鸦好友，因贪污李驹的钱连累乌鸦自断手指相...
主演：内详
导演：乔尔·斯特恩
简介：Three couples ride out the apocalypse in an underground bunker playing board games but when their food supplies deplete, along with their sanity, the rules go out the window as they play the game of ravenous hunger.
主演：朱一龙,辛柏青,张子枫,朱亚文,陈飞宇
导演：陈凯歌
简介：影片聚焦铁原阻击战。1951年5月，中国人民志愿军第63军刚刚结束了持续一个月的作战，就受命进驻铁原战场，正面对抗“联合国军”4个师。志愿军将士们浴血奋战，终于把敌军打上了谈判桌。为了完成任务，63军189师的战士化整为零，把自己变成一根钉子，牢牢钉在阵地上。1营阵地上，身为营教导员的李想（朱一龙饰）立下“一步也不会再退”的誓言，死守阵地。炮火连天中，李默尹（辛柏青饰）一家三口在战场上团聚，一把钥匙，一顿战壕中的团圆饭，让这个因战争分离的小家更为亲密。为了给新中国造出更好的武器，归国军工专家吴本正（朱亚文饰）在张孝恒（欧豪饰）的保护下进入战场。身为警卫员的张孝恒坚信，守住了吴本正，就是守住了祖国的未来。孙醒（陈飞宇饰）、杨三弟（张宥浩饰）也纷纷来到铁原。63军全体将士一起，在铁原战场上筑成了一道冲不破的“铁长城”！